Most of the ethnic groups in southwest China believe that we humans are an integral part of the cosmos, a view of the universe that can be traced back to the ancient Chinese civilization thousands years ago. They believe in the existence of divinities and express their faith through wearing their traditional garments in the modern society. The Yi ethnic groups embroidered on their clothes the original patterns of the mystical he-tu and luo-shu diagrams, holograms of the structure of the universe which are believed to be bestowed by God and handed down from before this civilization around 5500 years ago. The Miao ethnic groups dressed up in clothes embroidered with deities and divinities when they were in ceremonies worshiping the heavens and the gods, maintaining harmony between Man and Nature.
Most of the ethnic groups in southwest China believe that we humans are an integral part of the cosmos, a view of the universe that can be traced back to the ancient Chinese civilization thousands years ago. They believe in the existence of divinities and express their faith through wearing their traditional garments in the modern society. The Yi ethnic groups embroidered on their clothes the original patterns of the mystical he-tu and luo-shu diagrams, holograms of the structure of the universe which are believed to be bestowed by God and handed down from before this civilization around 5500 years ago. The Miao ethnic groups dressed up in clothes embroidered with deities and divinities when they were in ceremonies worshiping the heavens and the gods, maintaining harmony between Man and Nature.
薩 滿 之 路
「薩滿」saman來自滿語及其他通古斯語族語言。在通古斯語中是「智者」、「曉徹」的意思,且意指有能力進入入神狀態,並能與神溝通之人。
薩滿信仰中的薩滿被認為是掌握神秘知識,有能力進入「人神」狀態的人,有著預言、治療,與屬靈世界溝通,以及旅行到屬靈世界的能力。薩滿會作為一個巫醫、術士、驅魔師、占卜師、亡靈巫師或靈魂行者。在中國西南地區,各個民族都有不同的薩滿,他們是神靈世界的守護著,也是現實世界中最後的通靈人。
復活的史前文明
復活的史前文明
About Me
Zhen Zhen Gu, mother, artisan, painter, designer and collector of traditional handmade textiles on a cruise island in the South Pacific.
Main Activities
August 1979
Born in Shijiazhuang, Hebei Province, China
1998-2002
Kharkiv State Academy of Design and Fine Arts, Ukraine, Bachelor's Degree, Oil Painting Department
2002
Solo Exhibition: "Friends", Gallery of the Kharkiv State Academy of Fine Arts, Kharkiv, Ukraine
Oil painting "Mother" in the exhibition of young artists of the Republic of Ukraine, National Gallery of Ukraine, Kiev, Ukraine
2002-2004
Master's Degree in Modelling and Decorative Arts, Faculty of Architecture, Kiev State University of Architecture, Kiev, Ukraine
2003
Oil Painting "Dream. Freedom. Power" Participated in the exhibition of young artists of the Republic of Ukraine, National Art Museum of Ukraine, Kiev, Ukraine
2004
After graduating from the Master's Degree Programme, she returned to China and passed the examination of the Academic Committee in November, obtaining the status of a regular teacher at the Central Academy of Fine Arts, and in the same year, she participated in the organisation of the expansion of the School of Continuing Education.
2005
Established the School of Continuing Education's environmental design programme and became the head of the teaching and research department, with enrolment targeting workers in the field of art and design, with the aim of opening up the Academy's "ivory tower" courses to the public and turning them into practical, "people-friendly" courses.
In the same year, she went deep into Southwest China to conduct systematic research and learnt traditional handicrafts such as dyeing, spinning and embroidery from local ethnic handicraftsmen, and began to collect and organise traditional handmade clothes and tools of production and living of various ethnic groups in China for several decades, with thousands of sets of collections, and her research papers have been published in important national journals, such as Art Research, Chinese Art, and Chinese Art Newspaper, etc. She is also the first person to be published by the Chinese government in the past.
2009
The multi-media work "Three Thousand Worlds", produced in Yunnan, participated in the Fifth Songzhuang Culture and Art Festival, Shang Shang International Art Museum, Beijing, China.
The work "Zen Chair", made by traditional handicraft, was exhibited in the Young Teachers' Exhibition of the Central Academy of Fine Arts, Yanhuang Art Museum, Beijing, China.
Organised a team to design and complete the exhibits for the "UK Zero Carbon Pavilion" at the Shanghai World Expo, Shanghai, China
2011
Birth of my eldest daughter
2013
Sculpture "Money Tree" in CAFA Teachers - Special Exhibition of Teachers' Creative Works, Central Academy of Fine Arts, Beijing, China
Mixed-media work "Everything is Born" participated in the 6th Chengdu Biennale.
2014
Second daughter was born
Lecture on the Personal Collection of Ethnic Minority Collections Participated in "Song of Shu in the Clouds", Southwest Ethnic Intangible Cultural Heritage Exhibition, Times Art Museum, Beijing, China
2015
Family moved to New Zealand
2016
Birth of third daughter
2017
Founded the Silver Fern Art Centre in New Zealand, dedicated to bringing traditional art into the community, as well as the exchange and dissemination of traditional Chinese culture overseas.
2018
"Chinese Ethnic Minority Costume Exhibition", Silver Fern Art Centre, Auckland, New Zealand
2019
"Chinese Traditional Costume Exhibition", Auckland Botanic Gardens Gallery, Auckland, New Zealand
2020
Join New Zealand Handmade Textile Association
2020-present
Continuing to expand my knowledge of the arts by learning the art of spinning, weaving, felting, knitting and dyeing from local artisans who are on average over 70 years old. Wrote articles and features on art topics for various media, and began to compile years of research into a book for publication.